Masthead header
John Early Blog bio picture
  • Welcome to my blog!

    I know there''s a bazillion places to surf so thanks for dropping in here. Here you''ll find irregularly-timed irregular posts about all the things that interest me or I think might interest others. Mostly the content will be about photography, cinematography and the such, but I'll also occasionally diverge into my personal life and share slices what I do in my spare time.

Time For A Rant on Crappy Imagery

I usually keep my mouth shut when I see the crappy images that some large corporations are using to advertise their products, especially on the web. But, I’ve got to get this off my chest.

It seems to me that as time goes on and the economy remains stale, companies and agencies are continuing to lower their photography standards. I don’t exactly know what is to blame.

Is it the infiltration of CGI? And don’t get me wrong, CGI can be great, but most of the stuff I see isn’t.

Or, is it the growing wave of some agency creatives that seem to have adopted an all-too-common “we can fix it in Photoshop later” mantra?

Or is it the budget reductions, agency layoffs and the maxed-out workloads of most ADs?

Or is it that photographers are often expected to shoot more images in less time than in the past. Good photography still takes about the same amount of time to shoot as the film days. Seasoned pros (ADs and photographers) know the real work is in the planning, set-up, framing and lighting of the shot – not the shooting part. I even know of several agencies who now send an AD with a Canon Rebel (is an iPhone next?) to shoot things instead of hiring a professional photographer. Then they end up retouching it themselves instead of employing the help of a professional retoucher. That seems very risky to me.

Whatever the reason, the standards of quality in photography for (especially web) advertising just keep dropping.

Here is just one example I found the other day on Pandora:

Crap in. Crap out!

Now don’t get me wrong. Honda is a great company and makes great products. I have owned several Hondas in my past and loved them. They are a client of mine.

But honestly, I can’t believe this made it past the client. Seriously? Take a look at that drop shadow.That looks like it took about 5 seconds to make. And what is that reflecting into the windshield? A billboard or sign or something? Not to mention it is a studio-lit (more likely CGI lit) car placed on a dry lake bed and looks fake as all get out.  I wonder if they think consumers just don’t care or won’t notice. I am sure most larger advertisers, especially car companies,  have data on this subject from the boatloads of money they spend on consumer research panels. Perhaps they know something I don’t. But I can tell you, the quality of imagery certainly affects my overall feeling of quality of a product, and thus weighs into my buying decision process. For example: The Sharper Image from years gone by. This mail-order catalog took off and sales soared for years with sales of full-retail and in some case over-inflated prices on gadgets. Why? Because they had great product, great photography and a slick catalog.

Some things never change and people will always like to see quality imagery over crappy imagery. Quality imagery sells products. Crappy imagery doesn’t. Hiring the right professional photographer and giving him or her an suitable budget to shoot with is still the best way for an advertiser to ensure they are doing all they can to get the best imagery available to sell their product. I hope more and more of my  potential clients realize this. Not only would it be in my and other fellow photographers best interest, but it would certainly be in the advertiser’s best interest as well.

Image of the Week on FoundFlow

This week I was honored to have one of my images selected to be Image of the Week on FoundFlow by FoundFolios.com. This shot was complicated and difficult but turned out quite really great. We shot it for Toyota using two neighboring sound stages and two perfectly-aligned camera set-ups. One stage had the seat buck and interior talent. On the other stage a set builder built a driveway set and we shot the full vehicle with exterior talent on-set.  Yep, that’s my Golden Retriever standing in. The two separate shots were then married in post production to produce the final image.

 

Recent Shoot For Line 6

I did a shoot last year for a cool company that makes really cool musical instruments and accessories for bands. Line 6 contacted me because they wanted to step up the quality of their photography on their website. The people from Line 6 were really wonderful people and fun to work with. We got some really great shots for them of their new StageScape mixer. I wasn’t able to show the shots until recently when the new mixer was released.

One of the shots being used at www.line6.com front page.

Here is one of the shots as it was delivered to Line 6.

©2011 John Early

 

My Work Featured in FoundExposed:Objects of Desire October 2011

Today some of my work was featured in the latest FoundFolios FoundExposed series. The theme this time was “Objects of Desire.” I am truly flattered to be featured beside the company of some really great photographers such as Stan Musilek, Jimmy Williams, Bill Cahill and others.

My feature shot is a bold graphic shot of the front grill of an Infiniti FX45. We shot this as part of a dead front shot for Infiniti.com. After I delivered the shot to  the agency, I wanted to simplify the shot and take it back to it’s stylized shapes. So, I darkened the interior, removed windshield wipers, and some patterned “bumps” in the grill design I found distracting. It’s always been a favorite of mine. Please let me know your thoughts.